{"id":91704,"date":"2022-09-24T00:07:51","date_gmt":"2022-09-23T18:37:51","guid":{"rendered":"https:\/\/www.imageantra.com\/the-dreamlike-masturbation-of-an-unleashed-inarritu-for-better-and-for-worse\/"},"modified":"2022-09-24T00:07:51","modified_gmt":"2022-09-23T18:37:51","slug":"the-dreamlike-masturbation-of-an-unleashed-inarritu-for-better-and-for-worse","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/the-dreamlike-masturbation-of-an-unleashed-inarritu-for-better-and-for-worse\/","title":{"rendered":"The dreamlike masturbation of an unleashed I\u00f1\u00e1rritu, for better and for worse"},"content":{"rendered":"
\n

The self-awareness of your mistakes does not make them minor.<\/strong> Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu is aware that in ‘Bardo’, the film that has been followed by an endless almost inadvertently parodic subtitle, he has forced his own machinery, and even parodies it in the film itself, with very little success. In search of the perfect movie, andhe director has made the mistake of loving himself too much and trusting that all the rest of us were going to follow him on this ego trip<\/strong> outrageous that succeeds technically but fails in any attempt to leave a mark on the viewer.<\/p>\n

<\/p>\n

\n
\n
\n
\n

<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n

The emperor goes naked<\/h2>\n

Who had the self-esteem of I\u00f1\u00e1rritu, who has dedicated two and a half hours (after cutting twenty minutes after his polarizing visit to Venice) to explain to us that he is a great director<\/strong> and trying to take over all the Twitter accounts of “One Perfect Shot”. And yes, separately, ‘Bardo’ is full of perfect, symmetrical, spectacular shots that will delight those who enjoy a good composition. Now, in the context of the film, these shots have no reason to be, and are only part of the self-indulgent search <\/strong>of a director more concerned about the legacy he is going to leave than putting together a speech. The Mexican puts history at the service of technique with a single objective: that we see the things he knows how to do.<\/p>\n

<\/p>\n

I\u00f1\u00e1rritu wants to create a visual poem, but it is not Luis Bu\u00f1uel. As prodigious as ‘Bardo’ is in the technical section, all good visual poets tell something in their shots beyond letting themselves be carried away by beauty and spectacularity: the director presents us a high-handed film lacks a strong enough framework to justify such haughtiness.<\/strong> And it is that the Netflix tape is torn between being a comedy, a drama or a bad example of social cinema (with script pieces as unsubtle as “Amazon has bought a state in the United States”), without realizing that this false search for meaning it masks the one thing it really wants to be without achieving it: a sensational movie.<\/strong><\/p>\n

<\/p>\n

\n
\n
\n \"bard
\n