{"id":83649,"date":"2022-08-15T14:42:05","date_gmt":"2022-08-15T09:12:05","guid":{"rendered":"https:\/\/www.imageantra.com\/nope-2022-review-jordan-peele-could-have-signed-the-best-horror-movie-of-the-year-but-he-is-left-alone-in-an-extravagant-curiosity\/"},"modified":"2022-08-15T14:42:05","modified_gmt":"2022-08-15T09:12:05","slug":"nope-2022-review-jordan-peele-could-have-signed-the-best-horror-movie-of-the-year-but-he-is-left-alone-in-an-extravagant-curiosity","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/nope-2022-review-jordan-peele-could-have-signed-the-best-horror-movie-of-the-year-but-he-is-left-alone-in-an-extravagant-curiosity\/","title":{"rendered":"Nope (2022) review: Jordan Peele could have signed the best horror movie of the year but he is left alone in an extravagant curiosity"},"content":{"rendered":"
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Jordan Peele’s name has been consolidated in contemporary fantastic cinema thanks to his insistence on making a career without going too far out of a series of coordinates that he drew in his groundbreaking debut, ‘Let Me Out’ (Get Out, 2017), with which won the Oscar for best screenplay, in such a way that his next work, ‘Nosotros’ (Us, 2019) consecrated a style in which each film is perceived as a great episode of<\/strong> ‘The Twilight Zone’, and with ‘Nope!’ (2022) the same thing happens.<\/p>\n

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There is a very remarkable consistency in the tone of his films, in which the unthinkable becomes real and the fantastic is quickly integrated as part of the plot, whatever appears to break the daily barrier of its protagonists exists, without further explanation. no excuses. That’s why it’s hard to face ‘Nope!’ as a job that is very different from others in his films, because on the one hand it is, but on the other is fully consistent with his way of understanding horror movies<\/strong>with a new addition of Spielberg influence.<\/p>\n

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Jordan Peele’s Uninspired Movie<\/h2>\n

However, it is convenient to be forewarned and assimilate that this new installment of his own ‘Twilight Zone’ is not up to his first two efforts, and not precisely because he has become a worse director. In his new work, Peele shows that he was not only able to deal with low-budget films, but that now displays a colorful use of widescreen with a classic flavor<\/strong>a photography with body that is missing in other current directors and, again, a great eye to generate tension with spaces and geography.<\/p>\n

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But as he grows as a filmmaker, his history of alien sightings and horse ranching for show seems to need a few laps to condense the amount of satellite ideas circulating around him. ‘Nope!’ works great when you want to be a horror adventure in the tradition of ‘Jaws’ or ‘Tremors’<\/strong>substituting the concept of the sea or the land with the sky, however, that desired film that is outlined in its two hours only takes shape in its third act, and the path to reach it has ramifications that turn a couple of of ideas.<\/p>\n

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