{"id":53668,"date":"2022-06-24T21:10:44","date_gmt":"2022-06-24T15:40:44","guid":{"rendered":"https:\/\/www.imageantra.com\/korea-without-knowing-anything-about-the-original-and-i-have-found-a-series-with-enormous-wasted-potential\/"},"modified":"2022-07-30T15:21:46","modified_gmt":"2022-07-30T09:51:46","slug":"korea-without-knowing-anything-about-the-original-and-i-have-found-a-series-with-enormous-wasted-potential","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/korea-without-knowing-anything-about-the-original-and-i-have-found-a-series-with-enormous-wasted-potential\/","title":{"rendered":"Korea’ without knowing anything about the original and I have found a series with enormous wasted potential"},"content":{"rendered":"
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I have to confess that it has always given me a tremendous laziness get on the bandwagon of the great television phenomena when they are in full swing<\/strong>. It happened to me with ‘Game of Thrones’, which I entered once its second season ended to end up totally hooked and, if we stick to the Spanish factory, it happened to me with ‘The paper house’ that was even in the soup during its three seasons \u2014or five parts\u2014 monopolizing the series conversation and saturating the media.<\/p>\n

Fortunately or unfortunately -this is still unknown-, I never got to get into the creation of \u00c1lex Pina<\/strong>; something derived from media overstimulation, from the increasingly notorious excess of productions to watch either for pleasure or obligation \u2014and due to the obvious lack of time\u2014, and due to a lack of interest in a formula that, a priori, never came to fruition. get my attention at all. <\/p>\n

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As a devotee of the cathodic and cinematographic benefits of the South Korean industry, the arrival of ‘Money Heist: Korea’ has given me the perfect excuse to immerse myself in this reinvention of the original series. But, after entering it with many expectations, I ended up abandoning the ship after its first bars<\/strong>proving that, after all \u2014and regardless of nationality\u2014, the Netflix series was never made for me.<\/p>\n

Wet paper<\/h2>\n

I can’t deny that the start of ‘The paper house: Korea’ has made me want to take the production directed by Kim Hong-sun<\/strong>. And it is that its premise, which places us three years in the future in a scenario in which the two Koreas are in the process of reunification and sharing an economic system giving rise to an almost dystopian socio-political scenario, is not only very interesting; it also promises to rise as a unique hallmark for this remake. <\/p>\n

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Unfortunately, the first jug of cold water arrives when verifying that the juicy approach remains practically anecdotal<\/strong>, relegated to the background and making way for some dramatic decisions without much weight in the story. The balance, luckily, does not take long to balance thanks to the brio of its narrative – with a relentless start, guided by the use of voiceover – and the great asset of the show: its fantastic cast.<\/p>\n

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