{"id":49397,"date":"2022-05-23T15:38:44","date_gmt":"2022-05-23T10:08:44","guid":{"rendered":"https:\/\/www.imageantra.com\/love-death-robots-2022-a-brilliant-third-season\/"},"modified":"2022-05-23T15:38:44","modified_gmt":"2022-05-23T10:08:44","slug":"love-death-robots-2022-a-brilliant-third-season","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/love-death-robots-2022-a-brilliant-third-season\/","title":{"rendered":"Love, Death + Robots (2022): A brilliant third season"},"content":{"rendered":"
\n

This weekend has returned one of the most interesting and daring projects that have come out of Netflix<\/strong> with the third season of ‘Love, Death + Robots’. An anthology of science fiction animated shorts David Fincher and Tim Miller<\/strong> has left us with nine new stories to continue exploring the confines of the genre. <\/p>\n

<\/p>\n

The third season consists of some “repeaters” from previous installments and also several new additions… and we also have the first sequel within the anthology<\/strong> with the return of the three leading robots from ‘Three Robots: Escape Strategies’. <\/p>\n

<\/p>\n

This is followed by ‘Bad Trip’, which marks the first short directed by Fincher for the series, and they complete the season with ‘The Pulse of the Machine’, ‘Night of the Mini-Dead’, ‘Deadly Team’, ‘The Swarm’, ‘Mason’s rats’, ‘Buried in vaulted rooms’ and ‘J\u00edbaro’.<\/p>\n

<\/p>\n

Visual spectacle above all<\/h2>\n

As with all anthologies and we have already seen in previous seasons of ‘Love, Death + Robots<\/strong>‘, this third season is somewhat irregular but also leaves us with a feeling that the series has gained in quality<\/strong>. It is noted that the creators have been polishing the details more and more as they learn from their mistakes and from the fronts where the anthology was most criticized at its premiere, such as the unnecessary hypersexualization of the first season.<\/p>\n

<\/p>\n

The third season leaves us with very brave and innovative proposals<\/strong>although logically some shine more than others, but what is clear is that ‘Love, Death + Robots’ is an impressive visual spectacle above all else<\/strong>. Even the stories that can be weaker on some fronts simply make up for the quality of the animation and its artistic finish.<\/p>\n

<\/p>\n

\n
\n
\n
\n

<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n

Fincher’s contribution with Blur Studios<\/strong> leaves us one of the most shocking stories of the anthology, and despite moving away a bit from the hardest science fiction genre, it presents us with a plot full of tension where a crew runs into a terrible sea monster.<\/p>\n

<\/p>\n

It should also be highlighted ‘jibaro’<\/strong>by Alberto Mielgo, which is the perfect finishing touch for the season and almost leaves more to its predecessors. The return of Mialgo is a shocking short film with overwhelming quality<\/strong> that really casts doubt on whether we are seeing animation or real actors, with a polished and careful finish that takes advantage of all the wonders of the medium. <\/p>\n

\n
\n
\n \"Love
\n