{"id":163091,"date":"2023-06-23T18:03:13","date_gmt":"2023-06-23T12:33:13","guid":{"rendered":"https:\/\/www.imageantra.com\/an-enchanting-urban-fantasy-filled-with-magic-and-monsters-from-jim-henson\/"},"modified":"2023-06-23T18:03:13","modified_gmt":"2023-06-23T12:33:13","slug":"an-enchanting-urban-fantasy-filled-with-magic-and-monsters-from-jim-henson","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/an-enchanting-urban-fantasy-filled-with-magic-and-monsters-from-jim-henson\/","title":{"rendered":"an enchanting urban fantasy filled with magic and monsters from Jim Henson"},"content":{"rendered":"
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We’ve seen a lot of recent fantasy movies and series that tend to fall into all the tropes of development. young adults<\/em>especially the recent ‘LockWood Academy’ or the saga ‘Fantastic Animals and How to Find Them’ and they usually have codes that begin to be repeated to the detriment of what makes them work in literature, for this reason ‘The Magic Door’, which opens this Friday in Spain, manages to make people believe in the genre again.<\/strong><\/p>\n

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Based on Tom Holt’s novel of the same name, the film is directed by Jeffrey Walker and stars Patrick Gibson, Sophie Wilde, Sam Neill and Christoph Waltz and is a great urban fantasy film surprise thanks to how well told it is<\/strong>. Instead of focusing on special effects and explaining a heavy and complex mythology, he shows unusual patience in presenting his world little by little, with great care in his characters and in the small daily dilemmas that make his personal story more important than the adventures they are going to live.<\/p>\n

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A labor satire in times of unemployment and crisis<\/h2>\n

One of the keys is the script, written by Leon Ford, who adapts the first book of Holt’s seven-part series is that he has no interest in compressing more stories than it serves the purpose of the center of the story, the life of Paul. Carpenter and Sophie Pettingel, two interns with financial problems (a normalized look at precarious youth that this type of fiction usually lacks)<\/strong> who start working at a mysterious London firm called JW Wells & Co. Although they soon discover that their employers are not ordinary businessmen, but magical beings, their story together is the most important thing in the film, from how it begins to how it ends at the end. final.<\/p>\n

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Everything else is random though the central core of the story seems to be the mysteries of the company<\/strong> and how they are using modern corporate strategies to disrupt the ancient world of magic. Paul and Sophie find themselves in the middle of a conflict between Humphrey Wells, the company’s charismatic CEO, and Dennis Tanner, a ruthless middle manager, who have different plans for the future of the world.<\/p>\n

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