{"id":152595,"date":"2023-05-21T01:09:29","date_gmt":"2023-05-20T19:39:29","guid":{"rendered":"https:\/\/www.imageantra.com\/fast-furious-x-2023-opinion-the-best-avengers-movie-with-cars-sleeveless-shirts-and-superpowers-to-walk-around-the-house-that-we-can-imagine\/"},"modified":"2023-05-21T01:09:29","modified_gmt":"2023-05-20T19:39:29","slug":"fast-furious-x-2023-opinion-the-best-avengers-movie-with-cars-sleeveless-shirts-and-superpowers-to-walk-around-the-house-that-we-can-imagine","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/fast-furious-x-2023-opinion-the-best-avengers-movie-with-cars-sleeveless-shirts-and-superpowers-to-walk-around-the-house-that-we-can-imagine\/","title":{"rendered":"Fast & Furious X (2023) opinion: the best ‘Avengers’ movie with cars, sleeveless shirts and superpowers to walk around the house that we can imagine"},"content":{"rendered":"
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When the first ‘The Fast & The Furious’ came to our theaters in a distant 2001 under the subtitle ‘Full throttle’ and in the form of a kind of apocryphal remake of the fantastic ‘They Call Him Bodhi’ by Kathryn Bigelow in tunera key, it was completely impossible to suspect that it would mean the first stone of a franchise whose evolution we could label, at least, as surprising<\/strong>.<\/p>\n

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With the passing of the years and the aftermath, what began as an action thriller to use \u2014tacky two thousand apart\u2014 and with its feet on the ground the earthly was progressively abandoned until it ended up literally reaching the stratosphere<\/strong>; shamelessly embracing the absurd and defying the laws of physics to the point of practically becoming a kind of self-parody.<\/p>\n

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22 years after its debut, the adventures of Dominic Toretto and company line up their last race with a ‘Fast & Furious X’ that marks the beginning of the end, taking even more to the extreme the drift that began to take place in the decisive ‘Fast Five’; toasting a fascinating and hilarious pastiche halfway between a superhero movie and a super-spy thriller<\/strong> more international.<\/p>\n

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The result, as it could not be less, are 140 minutes with a farewell aftertaste and that gather each and every one of the hallmarks that have made the license great<\/strong>including his taste for cheap melodrama and the most delirious setpieces, and which are enriched by two determining elements: his deranged villain and a narrative that does not skimp on sensationalism to keep you glued to your seat.<\/p>\n

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delicious nonsense<\/h2>\n

At this point in the film, both the ‘Fast & Furious’ license and those responsible know perfectly well what they are playing and, what is more important, what lines they have previously crossed that prevent them from going back<\/strong>. Thus, after skyscraper robberies, battles against nuclear submarines, space travel and other niceties, the only thing left is to re-embrace self-awareness, play meta reference almost breaking the fourth wall<\/strong> and gamble everything on a single card.<\/p>\n

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Thus, this tenth part, after a cumbersome first act that brings to the table the hilariously solemn pettiness of the house with lapidary phrases about faith and family taken from a self-help book, reinvents one of the most mythical sequences of the now decalogue ; opening the door to its most ambitious plot to date in terms of scale and triple twist somersaults<\/strong> which, incredibly, manages to land without a problem.<\/p>\n

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