{"id":120209,"date":"2023-01-26T22:14:18","date_gmt":"2023-01-26T16:44:18","guid":{"rendered":"https:\/\/www.imageantra.com\/this-artificial-intelligence-is-destined-to-change-the-world-of-film-and-voice-acting-and-it-saved-the-2022-movie-stephen-king-wished-he-had-written-from-burning\/"},"modified":"2023-01-26T22:14:18","modified_gmt":"2023-01-26T16:44:18","slug":"this-artificial-intelligence-is-destined-to-change-the-world-of-film-and-voice-acting-and-it-saved-the-2022-movie-stephen-king-wished-he-had-written-from-burning","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/this-artificial-intelligence-is-destined-to-change-the-world-of-film-and-voice-acting-and-it-saved-the-2022-movie-stephen-king-wished-he-had-written-from-burning\/","title":{"rendered":"This artificial intelligence is destined to change the world of film and voice acting, and it saved the 2022 movie Stephen King wished he had written from burning."},"content":{"rendered":"
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There is no doubt that one of the great phenomena that have shaken the world \u2014and, especially, the networks\u2014 in recent months has been the <\/strong>boom <\/strong><\/em>artificial intelligence<\/strong>. In a matter of weeks, tools like Dall-E or Chat GPT became the viral sensation of the moment<\/strong> flooding our feeds<\/em> with countless text-generated images, debates about the meaning of the concepts of art and artist, and particularly apocalyptic omens.<\/p>\n

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The reality is that, if we focus on the field of audiovisual creation \u2014and, more specifically, on the post-production phase\u2014, AIs have been with us for a long time making our lives much easier<\/strong> integrated in software<\/em> as popular as Photoshop, After Effects, Premiere Pro or Final Cut Pro. However, these aids, with a very discreet profile, are being eclipsed due to a technological evolution that has reached dizzying speeds<\/strong>.<\/p>\n

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One of the latest signs of the limits to which these processes are reaching leaves the NVIDIA Broadcast update in its infancy, which makes our eyes look directly at the camera even though they are focused on another point. It is created by the company FlawlessIA and it opens up a future full of possibilities that will probably make more than one of them’s hair stand on end, but which could mark a before and after for film studios and dubbing actors and actresses<\/strong>.<\/p>\n

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fucks<\/em> for Frick’s<\/em><\/h2>\n

In 2022, Scott Mann released his fourth feature film under the title ‘Fall’, a survival thriller that went through the last edition of the Sitges Festival in which two women get trapped 600 meters high after climbing a tower communications. Fortunately or unfortunately, the film starring Grace Fulton and Virginia Garden earned an R rating for his foul language, which included a whopping 35 “fucks”<\/strong> in its original version.<\/p>\n

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The problem to extract profitability from productions with ratings for adult ages caused the distributor Lionsgate to demand a softened cut to reach a PG13<\/strong>, much more accessible and easy to market. To make it, the MPAA required that there be only one use of the word of yore<\/strong> in all the footage; a real headache that could translate into a disaster in the editing room or a considerable outlay to shoot reshoots<\/em> of certain scenes. And then the AI \u200b\u200bcame along.<\/p>\n

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Scott Mann, who has combined his career as a filmmaker with medium-focused artificial intelligence research in his startup <\/em>FlawlessIA found with ‘Fall’ the perfect excuse to test the system it was developing: a software<\/em> that allows you to manipulate the faces of the performers and alter their facial expressions and mouth gestures to fit the dialogue<\/strong>.<\/p>\n

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