{"id":103895,"date":"2022-11-12T19:16:01","date_gmt":"2022-11-12T13:46:01","guid":{"rendered":"https:\/\/www.imageantra.com\/saint-omer-wins-the-giraldillo-de-oro-in-an-edition-in-which-women-take-control\/"},"modified":"2022-11-12T19:16:01","modified_gmt":"2022-11-12T13:46:01","slug":"saint-omer-wins-the-giraldillo-de-oro-in-an-edition-in-which-women-take-control","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/saint-omer-wins-the-giraldillo-de-oro-in-an-edition-in-which-women-take-control\/","title":{"rendered":"‘Saint Omer’ wins the Giraldillo de Oro in an edition in which women take control"},"content":{"rendered":"
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The Seville Festival has a special color. No one would imagine that behind the rooms of a shopping center, next to the S\u00e1nchez Pizju\u00e1n new stories are being told, discovering new ways of narrating<\/strong>, taking risks in a world of cinema in which it seems that everything has been said. This year, the festival’s list of winners (although I don’t quite agree) comes to emphasize that in the world of cinema there is still much to say.<\/strong><\/p>\n

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The winner, from trial to trial<\/h2>\n

Between the this year’s winners<\/strong> in its different categories we have great movies like ‘Close’,<\/strong> risks such as ‘Holy Spider’ or even films made by and for a new generation, as is the case with ‘Rodeo’. Let’s take a look at the record.<\/strong><\/p>\n

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Best film<\/strong>: ‘Saint Omer’ (Alice Diop)<\/p>\n

Grand Jury Prize (ex aequo)<\/strong>: ‘Close’ (Lukas Dhont) and ‘Fogo Fatuo’ (Joao Pedro Rodrigues)<\/p>\n

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best direction<\/strong>: Pietro Marcello (‘Scarlet’)<\/p>\n

Best actress (ex aequo)<\/strong>: Julie Ledru (‘Rodeo’) and Tsar Amir Ebrahimi (‘Holy Spider’)<\/p>\n

best Actor<\/strong>: Eden Dambrine (‘Close’)<\/p>\n

Best screenplay<\/strong>: ‘Saint Omer’<\/p>\n

best photography<\/strong>: ‘Slaughterhouse’<\/p>\n

best montage<\/strong>: ‘The children of others’<\/p>\n

<\/p>\n

Best Spanish Film Direction<\/strong>: Carlos Pardo Ros for ‘H’<\/p>\n

Best Film (Extraordinary Stories)<\/strong>: ‘Blue jeans’ (Georgia Oakley)<\/p>\n

Best Film (Andalusian Panorama)<\/strong>: ‘Like a squirrel in the water’ (Mayte G\u00f3mez Molina and Mayte Molina Romero)<\/p>\n

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Best Film (The New Waves)<\/strong>: ‘Aftersun’ (Charlotte Wells)<\/p>\n

Best Film (The New Waves – Nonfiction)<\/strong>: ‘Viagem ao sol’ (Ansgar Schaefer and Susana de Sousa Dias)<\/p>\n

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Best Film (Permanent Revolutions)<\/strong>: ‘Afterwater’ (Dane Komlijen)<\/p>\n

Audience Grand Prix (EFA Selection)<\/strong>: ‘Tori and Lokita’ (Dardenne Brothers)<\/p>\n

Special Award (The New Waves)<\/strong>: ‘A noiva’ (Sergio Tr\u00e9faut)<\/p>\n

Junior Europe Award<\/strong>: ‘Yoko’s vacations’ (Juanjo Elordi)<\/p>\n

Cinephiles of the Future Award<\/strong>: ‘Rodeo’ (Lola Quivoron)<\/p>\n

Oca\u00f1a Award for Freedom<\/strong>: ‘Skin deep’ (Alex Schaad)<\/p>\n

AAMMA Women in Focus Award<\/strong>: ‘Blue Jean’ (Georgia Oakley)<\/p>\n

ASECAN Award for the best film (Official Selection)<\/strong>: ‘Seven Jereles’ (Pedro G Romero and Gonzalo Garc\u00eda Pelayo)<\/p>\n

<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

The Seville Festival has a special color. No one would imagine that behind the rooms of a shopping center, next to the S\u00e1nchez Pizju\u00e1n new stories are being told, discovering new ways of narrating, taking risks in a world of cinema in which it seems that everything has been said. This year, the festival’s list<\/p>\n","protected":false},"author":10,"featured_media":103896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10746],"tags":[22850,13784,11743,29623,29622,14016,23348,23059,12667,11055],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/i.blogs.es\/49c625\/saint-omer\/840_560.jpeg?fit=%2C&ssl=1","_links":{"self":[{"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/posts\/103895"}],"collection":[{"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/comments?post=103895"}],"version-history":[{"count":0,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/posts\/103895\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/media\/103896"}],"wp:attachment":[{"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/media?parent=103895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/categories?post=103895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imageantra.com\/wp-json\/wp\/v2\/tags?post=103895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}