{"id":102180,"date":"2022-11-06T00:21:45","date_gmt":"2022-11-05T18:51:45","guid":{"rendered":"https:\/\/www.imageantra.com\/it-makes-tilda-swinton-suffer-doubly-and-trusts-the-viewer-to-deliver-one-of-the-best-films-of-the-year\/"},"modified":"2022-11-06T00:21:45","modified_gmt":"2022-11-05T18:51:45","slug":"it-makes-tilda-swinton-suffer-doubly-and-trusts-the-viewer-to-deliver-one-of-the-best-films-of-the-year","status":"publish","type":"post","link":"https:\/\/www.imageantra.com\/it-makes-tilda-swinton-suffer-doubly-and-trusts-the-viewer-to-deliver-one-of-the-best-films-of-the-year\/","title":{"rendered":"It makes Tilda Swinton suffer doubly and trusts the viewer to deliver one of the best films of the year"},"content":{"rendered":"
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We have to start stop judging movies for what they are not.<\/strong> And here we should include all film critics, without exception: expectations are up to us, the marketing campaign is up to advertisers, but the film is what it is, and nothing brings what you expect or stop expecting from it. . It’s what happens to ‘The eternal daughter’, a film that is sold as a ghost story but in which the real terror is inside.<\/strong><\/p>\n

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We are going to be watching European cinema at the Seville Festival<\/strong> over the next five days and we’ll bring you the reviews of the best yet to come, but I think it’s hard for anyone to beat the combo of Tilda Swinton, Joanna Hogg, Martin Scorsese and A24. As long as you like movies, it’s rare that you’re not salivating.<\/strong><\/p>\n

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Mother and daughter<\/h2>\n

‘The eternal daughter’ doesn’t care what you expect of her<\/strong>: After the two parts of ‘The souvenir’, Hogg is his own voice in the world of cinema who doesn’t need to prove anything at all. And, despite everything, in each shot of this film he shows that he still has a lot to tell<\/strong>. In this case, what begins as a week between mother and daughter in an almost empty hotel ends up revealing itself as an essay about the pains that we carry inside, our inner emptiness and, ultimately, the power of stories.<\/p>\n

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The film does not stop to make everything clear to you from the beginning, and it will not even resolve all your doubts throughout the footage: will tell you, with a pinch of salt, what is just and necessary for you to understand the drama<\/strong>, the characters, their life full of disappointments, reproaches, apathy and loneliness. But for this he uses kind dialogues and a strange atmosphere that flies over the entire film, giving a Lynchian air to a film that at the same time has nothing of Lynch.<\/strong><\/p>\n

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